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Oil Paints/Mediums

 

Oil Paints/Paintsticks

At Green & Stone we stock four excellent ranges of Artists' oil colour aswell as a value for money student range.

Micheal Harding and Sennelier offer highly pigmented finest quality paints. Each range has it's own distinctive character and colour range.

Sennelier Artist oils are slightly firm while maintaining a distinctive creaminess, made with an archival safflower oil. Michael Harding's range of oils are denser so they can be diluted with mediums to the artists' individual requirements.
 

Bruno Charvin Artist's Oils

Since 1830, the Charvin company, located on the Riviera, are proud to have supplied well-known painters such as Cezanne, Bonnard, Ambrogiani...Charvin's Artists Oil Colours, manufactured in France with an advanced technology and using the best pigments ground into a medium consisting of half linseed and half poppy oil, bring a harmonious blend of tradition and modernity that has established a reputation for their high quality products world-wide.
Supplied in a 20ml tube, these paints are ideal for the plein air painter.

link to colour chart
chartube.jpg

Series 1

Titanium White, Zinc White, Indian Orange, Yellow Ochre, Raw Sienna, Burnt Sienna, Raw Umber, Burnt Umber, Indian Red Ochre, Venetian Red, Van Dyke Brown, Sepia, Vulcain Grey, Mars Black, Deep Black, Ivory Black.20ml tubes6.15

Series 2

St. Remy Yellow, Naples Yellow Light, Portrait Rose, Coral, Light Ultramarine, Ultramaine Blue, Deep Ultramarine, Indigo Blue, Royal Blue, Emerald Green, Absynth Green, Terre Verte.20ml tubes7.05

Series 3

Light French Red, Carmine, Purple Lake Madder, Amethyst Parma, Deep Violet, Light Cobalt Blue (imit), Ceruleum (imit), Turquoise Blue, Imperial Green, Light Cinnabar Green, St. Remy Green Light.20ml tubes8.60

Series 4

Rubine Lake. 20ml tubes11.90

Series 5

Deep Cadmium Yellow, Light Cadmium Yellow, Cadmium Lemon Yellow, Cadmium Yellow Medium, Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Cobalt Blue. 20ml tubes15.65

Titanium White

Ground in Poppy Oil60ml tube10.75

Charvin Bonjour Set of Fine Oil Colours

Includes:
7 x 20ml tubes of artists oil colour in cardboard box.
charvos.jpg
Height: 4.6cm
Width: 20.7cm
Depth: 11.6cm
33.10

Charvin Bonjour Set of Fine Oil Colours

Includes:
9 x 20ml tubes of artists oil colour in cardboard box.
Height: 2.5cm
Width: 23.2cm
Depth: 9cm
48.00

Charvin Oil Set

10 x 20ml tubes & 1 x 60ml White plus linseed oil & brush in cardboard box.
charvobox.jpg
78.20

MICHAEL HARDINGS Artists Oil Colours

"The first quality oil paint, EXCELLENT!" DAVID HOCKNEY 1998.

"These are the best oil paints in the world today" HOWARD HODGKIN 1996.

Artist's Oil Paint with the original colour intensity that artists would have experienced prior to mass production. Michael Harding paints have grown from a range of 15 colours in 1993 to a present day 64, and are now used by many leading artists. The greatest care has been taken in selecting all the ingredients to produce colours of power and intensity. All colours are ground in a grade of Refined Cold Pressed Linseed Oil chosen for its neutral acidity. There is one exception to this; titanium white no. 1. This is ground in Refined Poppy Oil which therefore is slower drying as driers are not included within the formulation of this range. As well as using traditional pigments this range of paints also makes use of more recent technological breakthroughs in pigment production to produce a fine range of lake colours with very high lightfastness ratings. 225ml - Selected colours in stock. All colours available to order.

link to colour chart

Because of health and safety regulations Lead White paint can no longer be packaged in tubes. Michael Harding is still producing Cremnitz White but it will be supplied in a 250ml cartridge. FOR RESTORATION PURPOSES ONLY
See below.

mhp.jpg

Handmade colour chart

Shows actual paint samples.14.25

Series 1

 
Tubes 40ml7.20
Tubes 225ml30.30

Series 2

 
40ml11.40
225ml51.30

Series 3

 
40ml15.90
225ml64.40

Series 4

 
40ml25.50
225ml103.60

Series 5

 
40ml30.00
225ml120.60

Series 6

 
40ml45.90
225ml200.40

Series 7

 
40ml72.00
225ml315.60

Michael Harding Introductory Set

contains 6 x 40ml tubes.
Titanium White, Yellow Lake, Ultramarine Blue, Yellow Ochre Dark, Burnt Umber & Scarlet Lake.
mhstarset.jpg
6 x 40ml Tubes38.55

Lead Based White Cartridges - Cremnitz White

FOR RESTORATION PURPOSES ONLY. The 250ml cartridges are to be used with the cartridge guns. Available ground in either linseed or walnut oil.
mhc250.jpg
 
Cremnitz White 1 in Linseed Oil No.308 |

Price reduction Cremnitz white is now a series 3.

PW1 lead carbonate ground in linseed oil
250ml cartridge66.40
Cremnitz White in Walnut Oil No.307 | PW1 lead carbonate ground in walnut oil. Series 3250ml cartridge66.40

Stack Lead White - Dutch Process No.607

FOR RESTORATION PURPOSES ONLY

NEW

PW1 lead carbonate ground in linseed oil
 
250ml cartridge210.10

Cartridge Gun

The 250ml cartridges of paint fit into the cartridge gun, providing a safe and economical method for delivering the paint.
mhcg.jpg
 
cartridge gun7.80

SENNELIER Extra Fine Artists' Oil Paints

Established in 1887 in Paris, Sennelier has been producing high quality oil colour for generations.Only the finest pigments are used.

They are ground very slowly with extreme care to an extra-fine consistency. Then they are combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish, which dries in a uniform manner over the entire range. Unlike linseed, safflower oil is non-yellowing.

Dense, yet buttery Sennelier oils are more highly pigmented and firmer than ever. The reformulated homogeneous consistency is better suited to the diversity of modern techniques. The slightly heavier body retains its unique creaminess, while offering greater versatility. Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes.

link to colour chart
senn.jpg

Series 1

40ml6.95

Series 2

40ml8.45

Series 3

40ml9.75

Series 4

40ml14.75

Series 5

40ml21.95

Series 6

40ml29.95

Titanium White Large Tube

200ml22.95

Boxed Sets - Cardboard

 
Small Introductory Set | 6 x 21ml tubes27.95
Introductory Set | 8 x 40ml Tubes84.95
Discovery Set | 9 x 21ml Tubes, 1 x 40ml White, 1 x Flow n Dry Medium, 1 x Brush, 1 x Palette Knife, 1 x Dipper59.95

Wooden Boxed Sets

Dark wooden box with leather straps and handle. Available in three selections 
12 x 40ml Tube Set | Contains: 12 x 40ml Tubes, 1 x 75ml Turpentine, 1 x 75ml Gloss Varnish, 2 x Brushes, 1 x Palette Knife, 1 x Metal Dipper, Wooden Palette.145.00
15 x 21ml Tube Set | Contains: 15 x 21ml Tubes, 1 x 75ml Turpentine, 1 x 75ml Gloss Varnish, 2 x Brushes, 1 x Palette Knife, 1 x Metal Dipper, Wooden Palette145.00
22 x 40ml Tube Set | Double layer of oil paints. Contains: 22 x 40ml Tubes, 1 x 75ml Turpentine, 1 x 75ml Gloss Varnish, 2 x Brushes, 1 x Palette Knife, 1 x Dipper, Wooden Palette.400.00

ROWNEY GEORGIAN Student Oils

The Georgian oil colour is a good quality range produced at uniform and economical price, and includes some organic pigments.

link to colour chart
geor.jpg
 
38ml3.75
225ml13.95
Flake white is only available in tins - Special order only. 

ROWNEY GEORGIAN Oil Paint Sets

 

Georgian oil selection set

10 popular coloursTubes 38ml34.75

Rowney Artists' Oil Colour

We sell a small selection of Artists' quality Rowney paint. Many of these colours are particularly favoured by portrait artists' 

Series AB

Colours: Blue Black, Indigo38ml8.25

Series C

Colours: Alizarin Green, Brown Pink, Hooker's Green, Italian Pink, Rowney Rose38ml11.95

WINSOR & NEWTON Artists Oil Colour Sets

 

Artists Oil Colour Starter Set

6 x 21ml tubes.
ostarset.jpg
28.00

Bloomsbury wooden box

270.00

Kensington wooden box

360.00

Cheltenham wooden box

565.00

Knightsbridge wooden box

870.00

Artists Oil Colour Bamboo Box Set

Special offer price 80.00
wnoibo.jpg
87.00

WINSOR & NEWTON Artists Oil Colour

Manufactured from the finest available pigments, they are of supreme quality. The range of 106 colours each contain the maximum pigment content consistent with good handling, whilst great care is taken during processing to preserve the unique individual colour qualities.

link to colour chart
wnop.jpg

Series 1

 
37ml7.00
Selected colours 200ml24.75

Series 2

 
37ml9.00
Selected Colours 200ml35.55

Series 4

 
37ml17.30
Selected Colours 200ml58.05

Series 5

 
37ml27.20

WINSOR & NEWTON Griffin Fast Drying Oil Colour

We only stock White, available in two sizes. 

Titanium White Series 1

37ml4.95

Titanium White Series 1

200ml16.65

Markel Artists Oil Paintsticks -Professional Range

Markel paintsticks are ideal for quick, spontaneous sketches and perform beautifully with all conventional oil paints. Made from highly refined drying oils blended with the finest pigments and molded into sticks. Also used by craftsmen and make an ideal stencilling medium.

link to colour chart
markal.jpg

Series 1

3.85

Series 2

4.30

Series 3

5.40

Series 4

6.85

Series 5 - Iridescent Range

7.80

Markal Boxed Set

Professional Set No.10012 Sticks65.50

Oil Mediums & Varnishes

 

White Spirit

 

Bartoline White Spirit

Hardware store grade, for cleaning brushes. Brand may vary. 
500ml2.85
750ml3.45
2 litre7.05

Winsor & Newton Artists White Spirit

Refined petroleum spirit. Dilutes oil and alkyd colours. Cleans brushes. Does not deteriorate with storage.
wnwhispir.jpg
 
75ml5.25

Turpentine

 

Winsor & Newton Distilled Turpentine

Artist's highly refined essential oil used as a dilutant for oil colours and cleaning brushes.
wnturps.jpg
 
75ml5.25
250ml9.25
500ml15.50

Daler Rowney Turpentine

Artist's oil colour dilutant and brush cleaner.
drturps.jpg
 
75ml4.95

Sennelier Rectified Turpentine

Pure wood turpentine. Traditional thinner.
sennturps.jpg
 
75ml5.25
250ml9.25
500ml16.50

Roberson Pure Gum Turpentine


pgturps.jpg
250ml16.85

Hilton Banks Spirit of Turpentine

For diluting oil paint and everyday use. Brand may vary.
hilturps.jpg
 
250ml5.60
500ml8.80
2 litre24.45

Low Odour Thinners

 

Winsor & Newton Sansodor

Artist's low odour oil colour dilutant and brush cleaner.
wnsans.jpg
 
75ml5.25
250ml9.25
500ml15.50

Daler Rowney Low Odour Thinner

Artist's low odour oil colour dilutant and brush cleaner.
lodthin.jpg
 
75ml4.95
175ml8.15
300ml14.95
500ml17.50

Roberson Oil of Spike Lavender

Slow drying Artist's alternative to turpentine. Pleasant odour.
roblav.jpg
60ml15.95

Other Dilutants

 

Turpenoid Natural

Non-toxic, non flammable oil paint cleaner, conditioner and medium.
turpenoid.jpg
 
118ml4.75
236ml7.30
473ml9.85

Zest It Oil Paint Dilutant & Brush Cleaner

An effective, powerful, safe and efficient solvent for use with oil paint. A Non-flammable alternative to white spirit and turpentine with a pleasant citrus smell. For use with oil colour, to thin paint and clean brushes.
zestit.jpg
 
125ml6.20
250ml9.15
500ml13.70
1 litre21.35
2.5 litre52.65
SPECIAL ORDER ONLY5 litre 

Linseed Oils

 

Winsor & Newton Cold Pressed Linseed Oil

Naturally processed. A slightly yellow oil which is extracted without the use of heat. For grinding pigment into paint.
wncolpres.jpg
75ml7.00

Winsor & Newton Thickened Linseed Oil

A pale refined oil of syrupy consistency which increases flow of colours and speeds drying. Replaces sun thickened linseed oil.
wnthilinoil.jpg
75ml7.00

Sennelier Clarified Linseed Oil

Purified oil extracted from linseed. Faster drying than most other oils, but with a tendancy to yellow over time.
senclinoil.jpg
75ml5.95

Daler Rowney Purified Linseed Oil

75ml4.95

Winsor & Newton Refined Linseed Oil

An alkali refined oil of pale colour that reduces oil colour consistency, increases gloss and transparency whilst slowing drying rate.
wnreflinoil.jpg
 
75ml5.25
250ml10.25
500ml18.25

Roberson Stand Oil 50 Poise

A pale viscous linseed oil, slows drying time, imparts a tough flexible finish. When used with turpentine improves
rstoil.jpg
 
250ml11.25
500ml16.15

Winsor & Newton Stand Linseed Oil

A pale viscous oil that can be mixed with turpentine or white spirit to improve the flow of colours. Retards drying but imparts a tough elastic finish.
wnstaoil.jpg
75ml7.00

Winsor & Newton Drying Linseed Oil

An oil of darker colour than refined linseed oil which increases drying rate of colours.
drylinoil.jpg
75ml7.00

Other Oils

 

Winsor & Newton Drying Poppy Oil

A drying oil for use with whites and pale colours, used to increase drying rate.
wndrypopoil.jpg
75ml7.00

Daler Rowney Purified Poppy Oil

A clear oil to mix with and reduce white and pale colours. Slower drying than linseed oil. Enhances gloss and flow, but too high a proportion retards thorough drying of colour.
drpopoil.jpg
75ml6.75

Sennelier Refined Safflower Oil

Clarified vegetable oil, a good drier with low acidity. Characterised by resistance to yellowing. Due to its pale colour it is used for grinding various whites. Mix with oil colours to add fluidity, transparency & gloss. Dries more slowly than linseed (but can be safely mixed with it) but faster than poppy.
saffoil.jpg
 
75ml5.95
250ml10.95

Roberson Walnut Oil

Darker than linseed oil. Helps oil to flow and increases brightness. Good drying. May yellow over time.
waloil.jpg
 
60ml6.80
250ml15.40
500ml27.40

Roberson Alkali Refined Poppy Oil

Bleached oil with little tendency to yellow. Gives a soft buttery texture to paints. Favoured for use with white and pale pigments. Longer drying time than linseed oil.
poppoil.jpg
 
60ml7.70
250ml17.50
500ml30.00

Balsam

 

Robersons Canada Balsam

Oleo-resin from balsam fir tree. Used in recipes where clarity and rapid drying are important.
canbalsam.jpg
60ml22.20

Robersons Copaiba Balsam

South American origin. Viscous liquid, may be diluted with turpentine. Used to restore and revive varnish and brittle paint.
copbalsam.jpg
60ml11.90

Robersons Larch Venice Turpentine

From Austrian Larch tree. A slow drying thixotropic balsam for use in mediums and varnishes. Purified and slightly heated when decanted. May be placed in warm water bath to obtain fluid consistence.
roblarturp.jpg
60ml12.85

Driers

 

Robersons Siccative

Cobalt naphthenate and white spirit. Add sparingly to oil colours to accelerate drying. Thin with white spirit.60ml5.90

Sennelier Cobalt Driers

Contains cobalt, zirconium, zinc and calcium salts. Highly concentrated; use in small doses (less than 5%)75ml6.85

Sennelier White Siccative Drier

Colourless drier containing calcium salts (which activate the natural drying characteristics of the pigments). Up to 15% may be added. Particularly suitable for pale colours. 
75ml5.95

Sennelier Gel 'n Dry

Gel version of an alkyd drier. Add 15 -20% tp paint to speed drying, improves fluidity and gloss. Suitable for impasto techniques.40ml tube4.75

Mediums

 

Winsor & Newton Liquin Original

Oil modified alkyd resin. A thixotropic, translucent gel which quickly dries to a virtually non-yellowing film. Improves the flow of oil and alkyd colours for smooth brushwork, subtle blending or fine detail. It also increases translucency making it ideal for thinning glazes.
wnliquin.jpg
 
75ml7.00
250ml13.00
500ml23.25
1 litre37.25

Winsor & Newton Liquin Impasto Medium

Quick drying semi-gloss impasto medium200ml tube20.00

Winsor & Newton Liquin Fine Detail

Quick drying fluid gloss medium. Ideal for detail work, glazing and smoothing areas with no brushmarks.75ml7.00

Winsor & Newton Liquin Light Gel

(Formerly Wingel). Quick drying gloss medium for glazing. Very slight gel, which breaks down immediately on brushing. 
75ml7.00
250ml13.00
500ml23.25

Liquin Oleopasto

A semi-mat, quick drying, non-yellowing impasto medium which retains crisp textures and brush strokes.200ml tube20.00

Winsor & Newton Artists Painting Medium

Linseed oil, petrolleum distillate. A pale yellow thinning medium for oil colours which improves flow and wetting, thereby facilitating fine detail work. Dries to a flexible film with minimal tendency to crack.
wnpm.jpg
 
75ml7.00
250ml13.00
500ml23.25

Daler Rowney Alkyd Flow

Reduces the drying time, increases transparency and flow of oil colour.
dralk.jpg
75ml6.75

Robersons Oil Painting Medium-UNAVAILABLE

UNAVAILABLE - The closest option is Roberson Medium 1810. Double thick mastic varnish, pale drying linseed oil, synthetic copal varnish. Gives flowing quality and rich brilliant effect without gloss.
roboilmed.jpg
 
60ml10.90
500ml64.00

Robersons Maroger Medium

Mastic resin, gum arabic, linseed oil. Gives lasting brilliance to colours used in wet-in-wet technique.
maroger.jpg
38ml tube9.80

Robersons Glaze Medium

Turpentine, damar, stand oil, cobalt driers. Mix with either oil colour or pigment to increase translucency and improve flow. Ideal for thin glazes and fine brushwork.
robglaz.jpg
 
60ml6.80
250ml13.50
500ml24.00

Roberson Glaze Medium Matt

 
60ml7.15
250ml15.60

Roberson Medium 1810

Traditional high oil fat painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour and strength, is resistant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamel-like quality. Stand oil/cold-pressed linseed oil/Canada balsam/rectified spirit of turpentine/beeswax/driers. Do not use as a varnish, always mix with oil colour.
1810med.jpg
 
38ml9.50
120ml19.90

Michael Hardings Oil Paint Medium PM1

Oil paint medium is a basic paint medium designed to ease flow and increase gloss, transparency, depth and beauty of the pigment colour. This medium is a linseed stand oil, turpentine, formulation that prevents yellowing of paint film.100ml7.35

Michael Hardings Resin Oil Wax Medium PM3

Resin Oil Wax Medium is a soft painting paste, derived from pure bleached beeswax then mixed with dammar resin and linseed stand oil. This popular medium creates a satin sheen and gentle impasto in paint layers. Settling of the medium may occur so allow jar to stand in hot water and stir contents until dissolved.100ml8.40

Michael Hardings Beeswax Paste PM4

Bleached Beeswax/ Linseed Stand Oil/ Double Rectified Turpentine
Increases body of oil colour, with satin-matt finish - add 5-10% to neat oil colour as required.
beeswaxpas.jpg
100ml8.70

Sennelier Turner Painting Medium

Based on Dammar gum. Reinforces the cohesion of the brush stroke, accentuates gloss. Useful for glazing and transparent washes.75ml5.95

Sennelier Van Eyck Medium

Medium with a gel-like consistency, based on mastic resin and oil thickened in the presence of metal oxides. Easy application. Fixes brushstrokes. Increases gloss, transparency and depth of colour.40ml tube9.25

Sennelier Veronese Medium

Paste medium, based on beeswax, which provides a uniform matt finish. Ideal for 'alla prima' studies, l;arge pieces and exterior work due to the rapid setting of impastos.40ml tubes8.25

Sennelier Turner Transparent Medium

Used for glazing and finishing. Absolutely transparent and luminous. Conserves the relief and satin finish of the colour.40ml tube8.25

Schmincke Medium W

Make your favourite oil colours water-mixable!
Simply mix 2 parts paint to one part gel and you will instantly have an oil colour that can be mixed and thinned with water - and most importantly cleaned away with water!
Medium W Gell will produce no colour change when dried, is harmonised and quick drying. It keeps water resistency and increases both gloss and transparency
medw.jpg
60ml9.15

Picture Cleaner

 

Winsor & Newton Artists Picture Cleaner

A liquid which dissolves linseed oil oxidation and cleans soiled oil paintings. Natural resin/oil emulsion containing ammonia. Valuable paintings should be cleaned by conservators.
piclean.jpg
75ml7.00

Retouching Varnish

Retouching varnish is much thinner than final coat varnishes. It can be used to bring back the paint quality of dull or dry oil. It is also used as a preliminary varnish as soon as the oil paint is dry, since oil paint can continue to dry through the film. This maybe useful for initial varnishing before an exhibition. Retouching varnish can be removed with white spirit prior to final varnishing or it can be left underneath. 

Daler Rowney Retouching Varnish

 
75ml6.75
175ml10.50
300ml15.25

Robersons Retouching Varnish

Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer. 
60ml5.40
250ml10.40
500ml17.90

Winsor & Newton Retouching Varnish

Synthetic resin, white spirit
wnretouch.jpg
 
75ml7.00
500ml23.25

Sennelier Turner Retouching Varnish

May be used as a temporary painting varnish while waiting for final varnish to be applied. Thinners: petroleum spirits and turpentine. 
75ml6.25

Gloss Varnish

Modern general purpose gloss varnish is non-yellowing and can be used as a final varnish for oil painting when the picture has been dry for at least 6 months. Removable with turpentine or white spirit. It dries to a clear even gloss which is non-blooming. 

Winsor & Newton Artists'Gloss Varnish

Ketone resin, white spirit.
wngloss.jpg
 
75ml7.00
250ml13.00
500ml23.25

Daler Rowney Artists Clear Picture Varnish

A final gloss varnish which should only be used when an oil painting has been left to dry for at least 6 months. However when applied lightly by aerosol it makes an excellent retouching varnish.
rowgloss.jpg
 
75ml6.75
175ml11.75
300ml14.95

Robersons Gloss Varnish

Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film. B67 resin, mineral spirit. Allow six months for an oil painting to dry and cure before applying a final picture varnish.
rgloss.jpg
 
60ml5.80
250ml10.60
500ml18.60

Matt Varnish

Modern matt varnish is a non-yellowing topcoat varnish which should only be used on an oil painting which has been allowed to dry for 6 months. It can generally be mixed with artists gloss varnish to give a range of semi gloss surfaces. Also suitable for alkyd and acrylic surfaces. 

Daler Rowney Matt Varnish


rowmatt.jpg
75ml6.75

Robersons Matt Varnish

Nearly colourless liquid which dries to a clear non-yellowing, non-blooming matt finish. Removable picture varnish that gives tough protection without gloss. A satin varnish may be obtained by mixing 50/50 with Roberson gloss varnish.
B67 resin, microcrystalline wax, mineral spirit.
Allow six months for an oil painting to dry and cure before applying a final picture varnish.
rmatt.jpg
 
60ml5.80
250ml10.60
500ml18.60

Winsor & Newton Artists' Matt Varnish


wnmatv.jpg
 
75ml7.00
250ml13.00
500ml23.25

Satin Varnish

 

Le Franc & Bourgeois Satin Picture Varnish

For oil and acrylic. It needs to be gently warmed before it is used.
lfsatv.jpg
 
75ml10.30
250ml12.60

Roberson Picture Varnish - Satin

Nearly colourless liquid which dries to a clear non-yellowing, non-blooming satin finish. Removable picture varnish that gives tough protection without full gloss.
B67 resin, microcrystalline wax, mineral spirit.
Allow six months for an oil painting to dry and cure before applying a final picture varnish.
rsatin.jpg
 
60ml5.80
250ml10.60

Sennelier Satin Picture Varnish

Synthetic resin based final varnish. Completely colourless. Rapid drying. Gives a resistant, but not easily reversible film. Thinner: turpentine.
sennsatvar.jpg
250ml12.50

Winsor & Newton Satin Varnish

A UV resistant artists' satin varnish removable with white spirit or turpentine. Dries quickly to a non-yellowing film, does not bloom or crack. Must be used on completely dry oil paintings (at least 6/12 months) 
75ml7.00

Damar Varnish

A pale yellow varnish which dries quickly to a high gloss (will be less glossy if applied thinly). Tends to darken with age. 

Winsor & Newton Damar Varnish


wndamar.jpg
75ml7.00

Robersons Damar Varnish 5lb

Gum Damar & Turpentine. Dries hard and clear to a high gloss finish. Thin with turps to use as a varnish or use neat and combine with other ingredients as part of an oil painting medium. Less prone to blooming than mastic varnish. Removable with white spirit or turpentine. Always allow 6 months for an oil painting to dry and cure before applying a final picture varnish.
rdamar.jpg
 
60ml6.20
250ml14.30
500ml25.80

Mastic Varnish

 

Roberson Ordinary Mastic Varnish

Mastic resin/turps. Clear bright yellow colour which deepens and dulls with age. Easily brushed to smooth even film and easy to remove. Mainly used in restoration work. Use ordinary, thin and extra thin for varying degrees of gloss. Extra thin provides least gloss.
rmastic.jpg
60ml10.80

Aerosol Varnishes

 

Winsor & Newton Aerosol Varnishes

Suitable for oil and Acrylic Paintings. Final varnishes should only be applied over oil paintings when they are at least 6 months old. 
Artists'Picture Varnish - Matt 150ml8.00
Artists'Picture Varnish - Matt 400ml14.00
Artists'Picture Varnish - Satin 150ml8.00
Artists'Picture Varnish - Satin 400ml14.00
Artists'Picture Varnish - Gloss 150ml8.00
Artists'Picture Varnish - Gloss 400ml14.00
Dammar Varnish - High Gloss 150ml8.00
Dammar Varnish - High Gloss 400ml14.00

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